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Robert "Robin" de la Condamine (6 November 1877 – 11 January 1966) was an actor who used the stage name Robert Farquharson. Harold Acton wrote that he was "our last great actor" in the tradition of Henry Irving and that he was known for his "emphatic stammer" and his dandyish ways. Condamine was born in London and attended the Rugby School.〔 He studied under actor F.H. Macklin and made his stage debut in two plays by Henrik Ibsen at the age of 21.〔 In 1905, he played Herod in the English premiere of Oscar Wilde's ''Salomé'', directed by Florence Farr, impressing critics Max Beerbohm and Robbie Ross.〔 On the basis of this success, he was cast by Farr as Foragel in William Butler Yeats' ''The Shadowy Waters''.〔 Yeats disliked his performance, complaining that Condamine was "over-emphatic and shoots his voice up and down the scale in a perfectly accidental way"〔 and that "You cannot play Foragel without nobility or any of my verse without pride & he has neither."〔 Yeats wrote "I long to get him by myself and make him speak on a note day after day till he had got rid of accidental variety" but since Condamine and the other actors were performing without pay as a favor to Farr, Yeats could not have him removed from the play. Under the direction of Theodore Komisarjevsky, Condamine played the title characters in Anton Chekhov's ''Uncle Vanya'' and ''Ivanov'' and played Vladimir Lenin alongside John Gielgud's Leon Trotsky in Hubert Griffith's ''Red Sunday''. Other roles include Duke Ferdinand in John Webster's ''The Duchess of Malfi'' (1919), Iachimo in Shakespeare's ''Cymbeline'' (1923) and Czar Paul I of Russia in ''Such Men Are Dangerous'' (1929) by Ashley Dukes. His best known role was in 1922 as the Count alongside Sybil Thorndike as the Count's daughter Beatrice in the first public performance of Percy Bysshe Shelley's controversial verse drama ''The Cenci'', directed by Lewis Casson〔 Later in life he performed in radio dramas.〔 He quipped to Donald Wolfit "I have been doing a recording for the Third programme but it has all come to an end now. The man who used to listen has bought a television set." ==The Author== Harold Acton, in his More Memoirs of an Aesthete, says: "He had published a single book, The Upper Garden. It begins: < 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Robin de la Condamine」の詳細全文を読む スポンサード リンク
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